Sophie Lavers, a 24-year-old woman from Canberra, has been crowned Miss World Australia in Sydney. She defeated nineteen other finalists to take the prize and will represent Australia at the Miss World event in South Africa.
The entrants were judged based on several categories including best talent, healthy body image, sports and fitness and beauty with a purpose. An aspiring actress, she is completing an acting course and hopes to build a career in film and television. She is also a qualified fitness instructor and has worked as a Kings Cross waitress.
She has been described in the media as having an “amazing figure” and it has been rumoured that she has used this for modelling work. However, Lavers has said that her body has only been modelled for a good cause: “Some do think that, but I have only ever modelled for charity.”
She also doubts much will change for her, at least in the near future. “I’ll still get up and probably have peanut butter on toast for breakfast but after that I’m not sure what’s happening. I guess I won’t be going to work tomorrow.”
She explained that all the girls who entered were dedicated to making a difference. “I just think it’s like having little angels out there through the country helping in all different areas whether it’s with children, or blind people, or the homeless.” Lavers also complained that non-stop smiling for the event has left here mouth sore. “I’m not used to smiling for hours on end.”
Lavers is now set to head to Johannesburg for the December 12 global competition. “I’ve got to get a month of outfits ready and get a talent and another speech and everything. Oh goodness.”
Grant Stott, and Bryony Hare opening the museum. Image: Brian McNeil.
Today sees the reopening of the National Museum of Scotland following a three-year renovation costing £47.4 million (US$ 77.3 million). Edinburgh’s Chambers Street was closed to traffic for the morning, with the 10am reopening by eleven-year-old Bryony Hare, who took her first steps in the museum, and won a competition organised by the local Evening News paper to be a VIP guest at the event. Prior to the opening, Wikinews toured the renovated museum, viewing the new galleries, and some of the 8,000 objects inside.
1
2
3
4
5
6
7
8
9
10
11
12
The Mugenkyo Taiko drummers performing on the museum steps
Street theater for the opening
Animatronic Tyrannosaurus Rex entertaining the crowd
The Mugenkyo Taiko drummers performing on the museum steps
Street theater for the opening
Street theater for the opening
Street theater for the opening
Animatronic Tyrannosaurus Rex entertaining the crowd
Street theater for the opening
The Mugenkyo Taiko drummers performing on the museum steps
Street theater for the opening
Street theater for the opening
Dressed in Victorian attire, Scottish broadcaster Grant Stott acted as master of ceremonies over festivities starting shortly after 9am. The packed street cheered an animatronic Tyrannosaurus Rex created by Millenium FX; onlookers were entertained with a twenty-minute performance by the Mugenkyo Taiko Drummers on the steps of the museum; then, following Bryony Hare knocking three times on the original doors to ask that the museum be opened, the ceremony was heralded with a specially composed fanfare – played on a replica of the museum’s 2,000-year-old carnyx Celtic war-horn. During the fanfare, two abseilers unfurled white pennons down either side of the original entrance.
The completion of the opening to the public was marked with Chinese firecrackers, and fireworks, being set off on the museum roof. As the public crowded into the museum, the Mugenkyo Taiko Drummers resumed their performance; a street theatre group mingled with the large crowd, and the animatronic Tyrannosaurus Rex entertained the thinning crowd of onlookers in the centre of the street.
A ‘God of the Sea’ carving from the Cook Islands, on display in the World Cultures Galleries. Image: Brian McNeil.The newly-opened, vaulted-ceilinged Entrance Hall.Image: Brian McNeil.
On Wednesday, the museum welcomed the world’s press for an in depth preview of the new visitor experience. Wikinews was represented by Brian McNeil, who is also Wikimedia UK’s interim liaison with Museum Galleries Scotland.
The new pavement-level Entrance Hall saw journalists mingle with curators. The director, Gordon Rintoul, introduced presentations by Gareth Hoskins and Ralph Applebaum, respective heads of the Architects and Building Design Team; and, the designers responsible for the rejuvenation of the museum.
Describing himself as a “local lad”, Hoskins reminisced about his grandfather regularly bringing him to the museum, and pushing all the buttons on the numerous interactive exhibits throughout the museum. Describing the nearly 150-year-old museum as having become “a little tired”, and a place “only visited on a rainy day”, he commented that many international visitors to Edinburgh did not realise that the building was a public space; explaining the focus was to improve access to the museum – hence the opening of street-level access – and, to “transform the complex”, focus on “opening up the building”, and “creating a number of new spaces […] that would improve facilities and really make this an experience for 21st century museum visitors”.
Hoskins explained that a “rabbit warren” of storage spaces were cleared out to provide street-level access to the museum; the floor in this “crypt-like” space being lowered by 1.5 metres to achieve this goal. Then Hoskins handed over to Applebaum, who expressed his delight to be present at the reopening.
Applebaum commented that one of his first encounters with the museum was seeing “struggling young mothers with two kids in strollers making their way up the steps”, expressing his pleasure at this being made a thing of the past. Applebaum explained that the Victorian age saw the opening of museums for public access, with the National Museum’s earlier incarnation being the “College Museum” – a “first window into this museum’s collection”.
The bridge joining the Old College to the museum. Image: Brian McNeil.
The museum itself is physically connected to the University of Edinburgh’s old college via a bridge which allowed students to move between the two buildings.
Applebaum explained that the museum will, now redeveloped, be used as a social space, with gatherings held in the Grand Gallery, “turning the museum into a social convening space mixed with knowledge”. Continuing, he praised the collections, saying they are “cultural assets [… Scotland is] turning those into real cultural capital”, and the museum is, and museums in general are, providing a sense of “social pride”.
View of the Grand Gallery from the south-east corner. Image: Brian McNeil.
McNeil joined the yellow group on a guided tour round the museum with one of the staff. Climbing the stairs at the rear of the Entrance Hall, the foot of the Window on the World exhibit, the group gained a first chance to see the restored Grand Gallery. This space is flooded with light from the glass ceiling three floors above, supported by 40 cast-iron columns. As may disappoint some visitors, the fish ponds have been removed; these were not an original feature, but originally installed in the 1960s – supposedly to humidify the museum; and failing in this regard. But, several curators joked that they attracted attention as “the only thing that moved” in the museum.
The Millennium Clock, centred in the Discoveries Gallery.Image: Brian McNeil.
The museum’s original architect was Captain Francis Fowke, also responsible for the design of London’s Royal Albert Hall; his design for the then-Industrial Museum apparently inspired by Joseph Paxton’s Crystal Palace.
Newly-installed escalator in the Discoveries Gallery. Image: Brian McNeil.
The group moved from the Grand Gallery into the Discoveries Gallery to the south side of the museum. The old red staircase is gone, and the Millennium Clock stands to the right of a newly-installed escalator, giving easier access to the upper galleries than the original staircases at each end of the Grand Gallery. Two glass elevators have also been installed, flanking the opening into the Discoveries Gallery and, providing disabled access from top-to-bottom of the museum.
The National Museum of Scotland’s origins can be traced back to 1780 when the 11th Earl of Buchan, David Stuart Erskine, formed the Society of Antiquaries of Scotland; the Society being tasked with the collection and preservation of archaeological artefacts for Scotland. In 1858, control of this was passed to the government of the day and the National Museum of Antiquities of Scotland came into being. Items in the collection at that time were housed at various locations around the city.
On Wednesday, October 28, 1861, during a royal visit to Edinburgh by Queen Victoria, Prince-Consort Albert laid the foundation-stone for what was then intended to be the Industrial Museum. Nearly five years later, it was the second son of Victoria and Albert, Prince Alfred, the then-Duke of Edinburgh, who opened the building which was then known as the Scottish Museum of Science and Art. A full-page feature, published in the following Monday’s issue of The Scotsman covered the history leading up to the opening of the museum, those who had championed its establishment, the building of the collection which it was to house, and Edinburgh University’s donation of their Natural History collection to augment the exhibits put on public display.
A GE 950. The oldest colour television in the world, build to a design by pioneer John Logie Baird. Image: Brian McNeil.
1
2
3
The Grand Gallery on opening day
Selection of views of the Grand Gallery Image: Brian McNeil.
The Grand Gallery on opening day
Selection of views of the Grand Gallery Image: Brian McNeil.
The Grand Gallery on opening day
Selection of views of the Grand Gallery Image: Brian McNeil.
Closed for a little over three years, today’s reopening of the museum is seen as the “centrepiece” of National Museums Scotland’s fifteen-year plan to dramatically improve accessibility and better present their collections. Sir Andrew Grossard, chair of the Board of Trustees, said: “The reopening of the National Museum of Scotland, on time and within budget is a tremendous achievement […] Our collections tell great stories about the world, how Scots saw that world, and the disproportionate impact they had upon it. The intellectual and collecting impact of the Scottish diaspora has been profound. It is an inspiring story which has captured the imagination of our many supporters who have helped us achieve our aspirations and to whom we are profoundly grateful.“
The extensive work, carried out with a view to expand publicly accessible space and display more of the museums collections, carried a £47.4 million pricetag. This was jointly funded with £16 million from the Scottish Government, and £17.8 million from the Heritage Lottery Fund. Further funds towards the work came from private sources and totalled £13.6 million. Subsequent development, as part of the longer-term £70 million “Masterplan”, is expected to be completed by 2020 and see an additional eleven galleries opened.
The funding by the Scottish Government can be seen as a ‘canny‘ investment; a report commissioned by National Museums Scotland, and produced by consultancy firm Biggar Economics, suggest the work carried out could be worth £58.1 million per year, compared with an estimated value to the economy of £48.8 prior to the 2008 closure. Visitor figures are expected to rise by over 20%; use of function facilities are predicted to increase, alongside other increases in local hospitality-sector spending.
Captain Cook’s clock, a Shelton regulator, taken on his first voyage to the Pacific to observe the transit of Venus in Tahiti. Image: Brian McNeil.
Proudly commenting on the Scottish Government’s involvement Fiona Hyslop, Cabinet Secretary for Culture and External Affairs, described the reopening as, “one of the nation’s cultural highlights of 2011” and says the rejuvenated museum is, “[a] must-see attraction for local and international visitors alike“. Continuing to extol the museum’s virtues, Hyslop states that it “promotes the best of Scotland and our contributions to the world.“
So-far, the work carried out is estimated to have increased the public space within the museum complex by 50%. Street-level storage rooms, never before seen by the public, have been transformed into new exhibit space, and pavement-level access to the buildings provided which include a new set of visitor facilities. Architectural firm Gareth Hoskins have retained the original Grand Gallery – now the first floor of the museum – described as a “birdcage” structure and originally inspired by The Crystal Palace built in Hyde Park, London for the 1851 Great Exhibition.
The centrepiece in the Grand Gallery is the “Window on the World” exhibit, which stands around 20 metres tall and is currently one of the largest installations in any UK museum. This showcases numerous items from the museum’s collections, rising through four storeys in the centre of the museum. Alexander Hayward, the museums Keeper of Science and Technology, challenged attending journalists to imagine installing “teapots at thirty feet”.
The redeveloped museum includes the opening of sixteen brand new galleries. Housed within, are over 8,000 objects, only 20% of which have been previously seen.
Ground floor
First floor
Second floor
Top floor
The newly-opened, vaulted-ceilinged, ground floor.
The first floor, with the Grand Gallery.
Second floor, including the Ancient Egypt gallery.
Top floor, including the Looking East gallery.
A collection of local signs in the Window on the World; not readily accessible, the red tramways sign may be a sore point with some Edinburgh residents. Image: Brian McNeil.
The Window on the World rises through the four floors of the museum and contains over 800 objects. This includes a gyrocopter from the 1930s, the world’s largest scrimshaw – made from the jaws of a sperm whale which the University of Edinburgh requested for their collection, a number of Buddha figures, spearheads, antique tools, an old gramophone and record, a selection of old local signage, and a girder from the doomed Tay Bridge.
The arrangement of galleries around the Grand Gallery’s “birdcage” structure is organised into themes across multiple floors. The World Cultures Galleries allow visitors to explore the culture of the entire planet; Living Lands explains the ways in which our natural environment influences the way we live our lives, and the beliefs that grow out of the places we live – from the Arctic cold of North America to Australia’s deserts.
A display housing musical instruments from around the world, on show in the Performance & Lives gallery. Image: Brian McNeil.
The adjacent Patterns of Life gallery shows objects ranging from the everyday, to the unusual from all over the world. The functions different objects serve at different periods in peoples’ lives are explored, and complement the contents of the Living Lands gallery.
Performance & Lives houses musical instruments from around the world, alongside masks and costumes; both rooted in long-established traditions and rituals, this displayed alongside contemporary items showing the interpretation of tradition by contemporary artists and instrument-creators.
An interactive tonal matrix, constructed by Portugese-Angolan artist Victor Garna. Image: Brian McNeil.
The museum proudly bills the Facing the Sea gallery as the only one in the UK which is specifically based on the cultures of the South Pacific. It explores the rich diversity of the communities in the region, how the sea shapes the islanders’ lives – describing how their lives are shaped as much by the sea as the land.
Both the Facing the Sea and Performance & Lives galleries are on the second floor, next to the new exhibition shop and foyer which leads to one of the new exhibition galleries, expected to house the visiting Amazing Mummies exhibit in February, coming from Leiden in the Netherlands.
The Inspired by Nature, Artistic Legacies, and Traditions in Sculpture galleries take up most of the east side of the upper floor of the museum. The latter of these shows the sculptors from diverse cultures have, through history, explored the possibilities in expressing oneself using metal, wood, or stone. The Inspired by Nature gallery shows how many artists, including contemporary ones, draw their influence from the world around us – often commenting on our own human impact on that natural world.
Contrastingly, the Artistic Legacies gallery compares more traditional art and the work of modern artists. The displayed exhibits attempt to show how people, in creating specific art objects, attempt to illustrate the human spirit, the cultures they are familiar with, and the imaginative input of the objects’ creators.
A range of sea creatures are suspended in the open space, with giant screens showing them in their natural habitat. Image: Brian McNeil.
The easternmost side of the museum, adjacent to Edinburgh University’s Old College, will bring back memories for many regular visitors to the museum; but, with an extensive array of new items. The museum’s dedicated taxidermy staff have produced a wide variety of fresh examples from the natural world.
1
2
3
4
5
The head of the cast life-size T-Rex
Life-size replica of T-Rex
A pair of peacocks fighting
A giraffe shown using his long tongue to forage
The elephant that wouldn’t leave; this exhibit stayed in a corner through the renovations
At ground level, the Animal World and Wildlife Panorama’s most imposing exhibit is probably the lifesize reproduction of a Tyrannosaurus Rex skeleton. This rubs shoulders with other examples from around the world, including one of a pair of elephants. The on-display elephant could not be removed whilst renovation work was underway, and lurked in a corner of the gallery as work went on around it.
Above, in the Animal Senses gallery, are examples of how we experience the world through our senses, and contrasting examples of wildly differing senses, or extremes of such, present in the natural world. This gallery also has giant screens, suspended in the free space, which show footage ranging from the most tranquil and peaceful life in the sea to the tooth-and-claw bloody savagery of nature.
The Survival gallery gives visitors a look into the ever-ongoing nature of evolution; the causes of some species dying out while others thrive, and the ability of any species to adapt as a method of avoiding extinction.
A giant centrepiece in the Restless Earth gallery. Image: Brian McNeil.
Earth in Space puts our place in the universe in perspective. Housing Europe’s oldest surviving Astrolabe, dating from the eleventh century, this gallery gives an opportunity to see the technology invented to allow us to look into the big questions about what lies beyond Earth, and probe the origins of the universe and life.
In contrast, the Restless Earth gallery shows examples of the rocks and minerals formed through geological processes here on earth. The continual processes of the planet are explored alongside their impact on human life. An impressive collection of geological specimens are complemented with educational multimedia presentations.
Beyond working on new galleries, and the main redevelopment, the transformation team have revamped galleries that will be familiar to regular past visitors to the museum.
Buddha figures sit alongside a gyrocopter in the Window on the World. Image: Brian McNeil.
Formerly known as the Ivy Wu Gallery of East Asian Art, the Looking East gallery showcases National Museums Scotland’s extensive collection of Korean, Chinese, and Japanese material. The gallery’s creation was originally sponsored by Sir Gordon Wu, and named after his wife Ivy. It contains items from the last dynasty, the Manchu, and examples of traditional ceramic work. Japan is represented through artefacts from ordinary people’s lives, expositions on the role of the Samurai, and early trade with the West. Korean objects also show the country’s ceramic work, clothing, and traditional accessories used, and worn, by the indigenous people.
The Ancient Egypt gallery has always been a favourite of visitors to the museum. A great many of the exhibits in this space were returned to Scotland from late 19th century excavations; and, are arranged to take visitors through the rituals, and objects associated with, life, death, and the afterlife, as viewed from an Egyptian perspective.
A display of Egyptian shabtis, statues thought to act as servants to the dead in the afterlife. Image: Brian McNeil.
The Art and Industry and European Styles galleries, respectively, show how designs are arrived at and turned into manufactured objects, and the evolution of European style – financed and sponsored by a wide range of artists and patrons. A large number of the objects on display, often purchased or commissioned, by Scots, are now on display for the first time ever.
Shaping our World encourages visitors to take a fresh look at technological objects developed over the last 200 years, many of which are so integrated into our lives that they are taken for granted. Radio, transportation, and modern medicines are covered, with a retrospective on the people who developed many of the items we rely on daily.
What was known as the Museum of Scotland, a modern addition to the classical Victorian-era museum, is now known as the Scottish Galleries following the renovation of the main building.
The modern extension, housing the Scottish Galleries. Image: Maccoinnich.
This dedicated newer wing to the now-integrated National Museum of Scotland covers the history of Scotland from a time before there were people living in the country. The geological timescale is covered in the Beginnings gallery, showing continents arranging themselves into what people today see as familiar outlines on modern-day maps.
A replica Carnyx war horn being played at the museum opening. Image: Brian McNeil.
Just next door, the history of the earliest occupants of Scotland are on display; hunters and gatherers from around 4,000 B.C give way to farmers in the Early People exhibits.
The Kingdom of the Scots follows Scotland becoming a recognisable nation, and a kingdom ruled over by the Stewart dynasty. Moving closer to modern-times, the Scotland Transformed gallery looks at the country’s history post-union in 1707.
Industry and Empire showcases Scotland’s significant place in the world as a source of heavy engineering work in the form of rail engineering and shipbuilding – key components in the building of the British Empire. Naturally, whisky was another globally-recognised export introduced to the world during empire-building.
Lastly, Scotland: A Changing Nation collects less-tangible items, including personal accounts, from the country’s journey through the 20th century; the social history of Scots, and progress towards being a multicultural nation, is explored through heavy use of multimedia exhibits.
A Hudson’s Bay store in Montreal Image: Montrealais.
North America’s oldest retailer, Canada’s Hudson’s Bay Company (HBC), will be transferred from one American owner to another. NRDC Equity Partners, LLC, owners of U.S. department store Lord & Taylor, will purchase HBC from the estate of Jerry Zucker, who died in April.
In 2006, the fate of HBC was first in doubt when Zucker bought it for $1.1 billion from another American owner. The businessman wanted to convert The Bay into a more upscale department-store chain.
Zucker had also begun remodeling the company’s Zellers chain to imitate the Target Corporation, creating wider aisles, expanding outlets, and selling at prices that matched those of the Wal-Mart Canada Corporation.
NRDC plans to introduce up to 15 Lord & Taylor stores in Canada by converting some of HBC’s existing properties, which include stores such as The Bay, Zellers and Home Outfitters. Under the deal announced on Wednesday, NRDC will support a newly-established holding corporation, the Hudson’s Bay Trading Company, with $500 million in funding.
The Hudson’s Bay Company was established in 1670 to support trade and development throughout the northern North American territory that is now Canada.
Businesses that employ more than 10 people are required to provide health insurance for all staff or face fines of $295 per year per uninsured worker.
Individuals will be required to enroll in a health plan by July 1, 2007, or face tax penalties.
Health insurers will provide partially to fully subsidized coverage for low-income residents.
At least one other state (Hawaii) requires employers to provide employee health insurance, but no other state holds individuals accountable for coverage.
2006 was the deadliest Datona Beach Bike Week ever, with a total of 18 bikers being killed on Florida roads, according to the Florida Highway Patrol. This year’s festivities brought in about 500,000 bikers to the Daytona area, and 14 of those killed were from Florida. Walter Fliss, 51, had recently bought his motorcycle before being killed when he drove into a construction site. Another biker rode into a guardrail, and others were killed on their way home.
A robotic system at Stanford Medical Center was used to perform a laparoscopicgastric bypass surgery successfully with a theoretically similar rate of complications to that seen in standard operations. However, as there were only 10 people in the experimental group (and another 10 in the control group), this is not a statistically significant sample.
If this surgical procedure is as successful in large-scale studies, it may lead the way for the use of robotic surgery in even more delicate procedures, such as heart surgery. Note that this is not a fully automated system, as a human doctor controls the operation via remote control. Laparoscopic gastric bypass surgery is a treatment for obesity.
There were concerns that doctors, in the future, might only be trained in the remote control procedure. Ronald G. Latimer, M.D., of Santa Barbara, CA, warned “The fact that surgeons may have to open the patient or might actually need to revert to standard laparoscopic techniques demands that this basic training be a requirement before a robot is purchased. Robots do malfunction, so a backup system is imperative. We should not be seduced to buy this instrument to train surgeons if they are not able to do the primary operations themselves.”
There are precedents for just such a problem occurring. A previous “new technology”, the electrocardiogram (ECG), has lead to a lack of basic education on the older technology, the stethoscope. As a result, many heart conditions now go undiagnosed, especially in children and others who rarely undergo an ECG procedure.
U.S. Republican Party presidential candidate and former Governor Buddy Roemer of Louisiana took some time to answer a few questions from Wikinews reporter William S. Saturn.
Roemer served four terms in the U.S. House of Representatives in the 1980s as a member of the Democratic Party. He was elected governor as a Democrat in 1987 before switching to the Republican Party ahead of the 1991 election for governor. That year, he lost the party’s primary to state legislator David Duke. After his governorship, Roemer worked as CEO of Business First Bank in Baton Rouge.
Roemer announced his candidacy for president back in July after exploring a bid for several months. He has focused his campaign on the issue of campaign finance reform, refusing to accept money from political action committees (PACs) and limiting individual campaign contributions to $100. He raised a total of $126,500 in the third quarter of 2011, far short of the $14.2 million raised by former Massachusetts Governor Mitt Romney.
For his campaign, Roemer has adopted the slogan ‘Free to Lead’. He rails against corruption, special interests, and money in politics, and has expressed support for the Occupy Wall Street protests. Furthermore, he has taken issue positions in favor of fair trade, a balanced federal budget, and a strengthened national defense.
Roemer has not been invited to any national presidential debates. He has focused largely on the first-in-the-nation primary state of New Hampshire, and recently signed up to appear on the state’s primary ballot. However, a recent University of New Hampshire Survey Center poll shows him with less than one percent support in the state. Pearson Cross of the University of Louisiana at Lafayette commented, “If Buddy can exceed expectations in New Hampshire or even sneak in and steal third — that would give a boost that he could build on”.
Indian cricketer Virender Sehwag yesterday announced his retirement from international cricket matches and the next Indian Premier League season. Opener Sehwag played his last test match in March 2013 against Australia. He scored 8,586 runs, including 23 centuries, in 104 test matches, with a batting average of 49.34.
Sehwag, who turned 37 yesterday, said on Twitter “I hereby retire from all forms of international cricket and from the Indian Premier League. A statement will follow.” He stated he has not retired from first-class cricket matches, and he is also scheduled to appear in the Masters Champions League in February 2016.
Also known as the Nawab of Najafgarh, Sehwag is the only Indian cricketer to score a triple century in test matches, making 309 runs against Pakistan in 2004 and 319 against South Africa in 2008.
Sehwag stated, “I have always done what I felt was right and not what conformists thought to be right […] God has been kind and I have done what I wanted to do, on the field and in my life, and I had decided some time back that I will retire on my 37th birthday.”
Fellow Indian cricketers praised Sehwag when news of his retirement broke. Sachin Tendulkar referred to Sehwag’s “tremendous achievements” and “superlative performances”, V. V. S. Laxman called him “a pure entertainer”, and Ajinkya Rahane described him as “an inspiration to billions of cricket fans across the world.”
Attorney John Wolfe, Jr. of Chattanooga, Tennessee won 68,105 votes for 42 percent of the total in Tuesday’s Arkansas Democratic Party presidential primary. He came in first in 36 counties and finished only 16 points behind President Barack Obama, who won the primary with 95,382 votes for 58 percent. The result tops prison inmate Keith Russell Judd’s 41 percent West Virginia primary showing against Obama two weeks ago as the strongest outing for a Democratic challenger thus far. According to The Green Papers, Wolfe qualified for 19 Democratic National Convention delegates, which the party has already announced they will deny.
Wolfe at the Lesser-known candidates forum in December 2011Image: Marc Nozell.
Wolfe, who is concerned about the influence of Wall Street in the Obama administration, announced his primary challenge to Obama last year. So far, along with Arkansas, he has qualified for the primary ballot in New Hampshire, Missouri, Louisiana and Texas. Before Tuesday, his strongest showing came in Louisiana, where he won 12 percent overall with over 15 percent in some congressional districts, qualifying him for delegates. However, these were stripped after the party claimed Wolfe had not filed the necessary paperwork. He has announced plans to take legal action against the party, and in an interview with Wikinews last week, commented, “the Democratic Party decided to avert, quite flagrantly, the will of the people and assign all the delegates to Mr. Obama, even though their bylaws, the rules themselves say that the results of the primary are binding…They forsook their own law in order to make it look like there was unanimous support for Obama.”
Although President Obama has won enough delegates in this election cycle to secure the Democratic Party nomination, previously unknown challengers such as Wolfe have qualified for delegates. In March, anti-abortion activist Randall Terry and perennial candidate Jim Rogers qualified for delegates in Oklahoma, but later had them stripped by the party for not filing delegate slates and, in Terry’s case, not qualifying as a bona-fide candidate. The same outcome occurred for Judd in West Virginia, and as mentioned above, for Wolfe in Louisiana and Arkansas.
After the Arkansas Democratic Party announced prior to Tuesday’s vote that any delegates Wolfe gains will not be seated, Wolfe told The Daily Caller he would pursue further legal action, proclaiming, “It will be a summer of litigation. … I hate to do it against my own party, but they’re acting as if this guy [Obama] is some kind of emperor.”
They don’t have but two names on the ballot: President Obama and that other guy [John Wolfe], [and] I don’t know anything about the other guy
The last Democratic Party presidential incumbent, Bill Clinton, faced fewer challenges than Obama during his 1996 primary election, but the party still had to deal with a candidate that won delegates. Challenger Lyndon LaRouche qualified for delegates in Louisiana and Virginia that year, but the party stripped these, claiming LaRouche’s views were “explicitly racist and anti-Semitic.” Like Wolfe, LaRouche proceeded to sue the party, but was unsuccessful.
Regardless of whether the party ultimately awards the delegates, some analysts say the results provide insights into voters’ perception of Obama. Peter Grier of The Christian Science Monitor explained that “white working-class voters”, who make up a majority in Arkansas, “have been disproportionately hurt by the economic downturn, and they’re resistant to what they see as Obama’s liberal health-care reforms and support of gay marriage.” Republican Congressman Tom Cole of Oklahoma argued “Obama fares poorly in states like … Arkansas because he has nothing in common with them. They are rural, he is urban. They are populist, he is elitist. And in case anyone hadn’t noticed, they are conservative while he is liberal.” Former Democratic Congressman Charlie Stenholm largely agreed, commenting “The most significant factor is the perception/reality that the Obama administration has leaned toward the ultra-left viewpoint on almost all issues.”
Arkansas Democratic primary by county. John Wolfe won the counties in red while President Obama won the counties in black.Image: William S. Saturn.
Others have dismissed the results, arguing it is a foregone conclusion that Obama will not win Arkansas in the general election, and that opposition there may be the result of racism against Obama, the first African American president. Chris Cillizza of The Washington Post published an article questioning whether racism played a role and concluded that though it likely did, “simply labeling [the people of] Arkansas who backed Tennessee lawyer John Wolfe over the incumbent as ‘racists’ is a major oversimplification.” University of Virginia political scientist Larry Sabato warned Democrats against overlooking the results, saying “Obama will never carry white working class. But he can’t afford to lose it by massive margins, either.”
The Associated Press asked a few Arkansas voters how they cast their ballot and why. One voter, described as a 57-year-old resident of Lonoke, Arkansas, said she voted for John Wolfe because she “wasn’t satisfied with Obama” and had a particular concern about Social Security. An 85-year-old retiree from Little Rock, Arkansas said he also voted for Wolfe, but called it “a wasted vote…I guess you just do it in opposition.”
As for the Obama supporters, one Little Rock voter said he cast his ballot for Obama, even though “I am not entirely happy with what he is doing.” Another, identified as a 51-year-old attorney from Lonoke, said she voted for Obama and fully supports him because “he stands up for what he believes in and he has not wavered.” One 73-year-old retired aircraft mechanic said he voted for Obama because “they don’t have but two names on the ballot: President Obama and that other guy [John Wolfe], [and] I don’t know anything about the other guy.”
In other races on Tuesday, “uncommitted” won a similar margin as Wolfe against Obama in the Kentucky Democratic primary. On the Republican side, former Massachusetts governor Mitt Romney easily won both the Arkansas and Kentucky primaries with 68.3 percent and 66.8 percent, respectively.
The next primary will be held May 29 in Texas. Wolfe will be on the ballot alongside Obama, historian Darcy Richardson, and activist Bob Ely.
Members of Australia’s Health Services Union (HSU) will go on strike in Victoria next week in a dispute over stalled wage and career structure negotiations. Over 5000 physiotherapists, speech pathologists and radiation therapists will walk off the job next week, effectively closing the state’s 68 largest health services.
The strike will force the closure of intensive care units and emergency departments across the state.
It is feared the strike could continue into Easter.
National secretary of the HSU, Kathy Jackson said admissions would be crippled, while intensive care patients would have to be evacuated to New South Wales, Tasmania and South Australia as hospitals will not be able to perform tests or administer treatment.
“When an ambulance shows up you can’t admit a patient without an X-ray being available, you can’t intubate them and you can’t operate on them,” she said.
“If something goes wrong in an ICU you need to be able to X-ray, use nuclear medicine or any diagnostic procedure,” said Ms Jackson.
Ms Jackson said the HSU offered arbitration last year, but the state government refused. “They’re not interested in settling disputes, they hope that we are just going to go away.”
“We’re not going away, we’ve gone back and balloted the whole public health workforce in Victoria, those ballots were successful, 97 percent approval rating,” she said.
The HSU is urging the government to commence serious negotiations to resolve the dispute before industrial action commenced.
The government has offered the union a 3.25 per cent pay increase, in line with other public sector workers but the union has demanded more, but stopped short of specifying a figure.
Victorian PremierJohn Brumby said the claim would be settled according to the government’s wages policy. “The Government is always willing and wanting to sit down and negotiate with the relevant organisations . . . we have a wages policy based around an increase of 3.25 per cent and, above that, productivity offset,” he told parliament.
The union claims it is also arguing against a lack of career structure, which has caused many professionals to leave the health service. Ms Jackson said wages and career structures in Victoria were behind other states.
Victorian Opposition Leader Ted Baillieu said he was not in support of the proposed strike and called on the government to meet with unions. “There could not be a more serious threat to our health system than has been announced today.”
“We now have to do whatever is possible to stop this strike from proceeding,” he said.
The opposition leader will meet with the union at 11:30 AM today.
Victorian Hospitals Industry Association industrial relations services manager Simon Chant said hospitals were looking at the possible impact and warned that patients may have to be evacuated interstate if the strike goes ahead.