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Tuesday, July 27, 2010

WikiLeaks has released a mass of “secret” material from the United States’ involvement in Afghanistan in the five years from 2004 to 2009.

The material was scrutinised in co-operation with the main stream newspapers The Guardian and The New York Times, and the German magazine Der Spiegel, who cross-referenced the leaked documents with published material to check the veracity of the material.

The material makes explicit the accusation that the Taliban is receiving support including man portable anti-aircraft missiles from Iran, and Pakistan. However, despite being condemned by the authorities in the United States, commentators have said that nothing in the released material would come as a surprise to anyone who has been following the war.

Tuesday, November 17, 2009

The Israeli Interior Ministry has announced today that 900 new housing units are slated to be built by Israeli officials at the Gilo settlement located in East Jerusalem.

A press release by the Interior Ministry read, “The planning and construction committee has authorised the construction of 900 housing units in the Gilo neighbourhood in Jerusalem.” Annexed after the 1967 war, East Jerusalem is what Palestinians still hope to make the capital of their future state. However, the current Israeli government has made claim to Jerusalem as the capital of Israel. “Jerusalem is Israel’s capital and will remain as such,” said government spokesman Mark Regev.

Earlier this month the Palestinian Authority insisted that all negotiations with Israel would be put permanently on hold until settlement expansion and home demolitions were halted. The UN reports that 1,500 home demolition orders in East Jerusalem are currently pending in Israeli courts. At least 600 Palestinians have been displaced from their homes in East Jerusalem since the beginning of this year. Nearly 500,000 Israelis live in more than 100 different settlements located in Jerusalem and the West Bank.

U.S envoy to the Middle East, George Mitchell, asked President Benjamin Netanyahu to cancel settlement expansion plans, however his request went unheeded. Settlement expansion has soured relations between the U.S and Israel, however Israel is still the largest recipient of U.S aid annually. Responding to requests by the U.S government that settlement expansion be halted Jerusalem Mayor Nir Barkat said that he, “strongly objects to the American demand to halt construction in Jerusalem and will allow construction for Jews, Muslims, and Christians in any part of Jerusalem without prejudice. The demand to halt construction by religion is not legal in the United States or in any other free place in the world.”

Under international law building settlements in occupied territory is illegal. The UN has deemed Israeli settlements to be a violation of the Geneva Convention.

Friday, August 15, 2008

In what seems to be the strongest reaction to the Russian invasion of Georgia, Poland agreed to place ten American interceptor missiles in a base in its territory. The deal, reached on Thursday, concluded almost two years of negotiations, so far delayed by Poland, reluctant to irritate its eastern neighbour. However, in view of the Russian offensive in Georgia, these concerns have been superseded.

The missiles, staffed with American personnel, are designed for defence against medium- and long-range ballistic missiles. In exchange for providing the base, Poland will get 96 latest-generation PAC-3 Patriot missiles for defence against aircraft and short-range missile attacks. Part of the deal obliges the United States to defend Poland in case of an attack, with greater speed than normally required under NATO.

“Poland wants to be in alliances where assistance comes in the very first hours of – knock on wood – any possible conflict” the Polish Prime Minister Donald Tusk said. “It is no good when assistance comes to dead people.”

Russia reacted to the agreement with anger. According to the Associated Press, the Russian deputy chief of general staff stated that the deal exacerbated the Russia–United States relations and “cannot go unpunished.”

According to Russian news agency Interfax, the agreement to accept a U.S. missile interceptor base exposes Poland to a Russian nuclear attack. Russian military doctrine sanctions the use of nuclear weapons against the countries that do not possess nuclear weapons themselves if they are allied with those having them, said Russian General Anatoly Nogovitsyn.

Russian Foreign Minister Sergei Lavrov is reported to have cancelled a scheduled visit to Poland shortly after the deal was announced.

Tuesday, February 26, 2013

Yesterday evening in La Molina, Spain, Wikinews sat down and talked with Irene Villa to discuss para-alpine skiing, disability sport, women’s sport, and her own sporting career. Villa was in town as part of activities taking place around the 2013 IPC Alpine World Championships, where one of her skiing club teammates is competing as a member of the Spanish team. Her high profile in Spain has brought additional interest to para-alpine skiing and disability sport in general.

((Wikinews)) : Hi we are interviewing Irene Villa, who is a disability skier from Spain and professional author, social figure, journalist, and psychologist. You are most well known for being a terrorist survivor, but you’re here because of the [2013 Alpine Skiing] World Championships. ^{((es))Spanish language: ?Hola estamos entrevistando a Irene Villa, esquiadora española, escritora, figura política, psicóloga y periodista. Aunque se le conoce más por haber sobrevivido a un atentado, se encuentra aquí por el Campeonato del Mundo [de Esquí Adaptado 2013].}

Irene Villa: I’m here because I love sitting ski, I practice and I compete, but since I got pregnant and my son was born I stopped competing. But before I had my son I competed against the people who will run tomorrow, the Germans who win, and I wanted to be here. I haven’t raced in the World Cup, but I did race in the European Cup. And well, I’m also here to support paralympic sports. ^{((es))Spanish language: ?Estoy aquí porque me encanta el esquí en silla, lo practico y he competido, pero desde que nació mi hijo dejé de competir, porque me quedé embarazada, pero antes de tener a mi hijo competí contra las que mañana corren, las alemanas que ganan, y quería estar aquí. Nunca Copa del Mundo, he corrido Copa de Europa. Y bueno, para apoyar al deporte paralímpico.}

((WN)) : In 2009 you said you were trying to make the 2010 Winter Paralympics. After giving birth are you going to continue with the sport and hope to make 2018? ^{((es))Spanish language: ?En 2009 dijo que quería clasificarse para los Juegos Paralímpicos de Invierno de 2010. Tras dar a luz, ¿va a continuar con el deporte e intentar llegar a 2018?}

Irene Villa: I would love to. The thing is that you need a certain amount of IPCAS points. I’m now competing, on top of that I have an injury, tomorrow and the next day I will be training, and I don’t know if I’ll have enough time to make it. Sochi [Winter Paralympic Games of 2014] is right around the corner, next year, so it depends on how many point you’ve got. 2018? For sure. ^{((es))Spanish language: ?Me encantaría. Lo que pasa que bueno, eso no se sabe, porque tienes que tener unos puntos IPCAS determinados y yo ahora estoy compitiendo, encima me he lesionado, y mañana y pasado voy a estar esquiando, y no sé si van a dar los tiempos para llegar… Es que Sochi [Juegos Paralímpicos de 2014] está aquí al lado. Son el año que viene. Entonces depende de los puntos IPCAS que tengas. ¿2018? Seguro que sí.}

((WN)) : You compete in a lot of national competitions, and with disability sport in general, classification is a big issue. Competing in national competitions, does classification come into play, especially when there is so few women skiers in your group? ^{((es))Spanish language: ?Participa en muchas competiciones nacionales, y en el deporte con discapacidad en general, las clasificaciones son un un tema polémico. En la competición nacional, ¿es la clasificación un factor tan determinante, especialmente cuando hay tan pocas esquiadoras en tu grupo?}

Irene Villa: Yes, certainly. You see, I have an advantage because I have buttocks, I have abs. I have an advantage over a teammate who has a spinal injury here [points to the high part of the back] and also competes. So of course classification is very important because we cannot have an advantage. I believe in competing in equal fairness, and disabilities vary so much that you need a good classification. Issues because of classification? Well, I think we are pretty well classified. For example, my fingers [shows hand where she lost three fingers] are not taken into account in classification, there’s always going to be a small detail that they don’t count. This is a disadvantage when holding the outrigger, and yet I’m classified like someone who is missing half a leg, for example. I’m missing both legs and three fingers. But, it’s really complicated to finetune it… Because then we would need to have twenty thousand classifications. This is what we have. ^{((es))Spanish language: ?Sí, claro que sí. Porque claro, yo tengo ventaja por ejemplo al tener glúteos, al tener abdominales, tengo ventaja sobre una compañera de mi equipo que tiene una lesión medular desde aquí [señala principio de la espalda] y también compite, así que por supuesto la clasificación es muy importante porque no podemos tener ventaja. Creo que tenemos que estar en igualdad de condiciones, y las discapacidades son tan distintas que tienes que tener una buena clasificación. ¿Problemas porque no te clasifican bien? Hombre pues yo creo que nosotras estamos bien clasificadas. Por ejemplo, a mi estos dedos [muestra mano en la que perdió tres dedos] no me los cuentan en la clasificación, claro, siempre va a haber algo pequeño que no te cuentan. Esto es una desventaja al coger el estabilo, y sin embargo estoy clasificada igual que una a la que le falta media pierna, por ejemplo. A mi me faltan las dos y tres dedos. Pero es que claro, es muy dificil dar justo… Porque entonces tendríamos que tener veintemil clasificaciones. Es lo que hay.}

((WN)) : Some of the skiers I’ve talked to in the mens’ side, not in Spain, but from other countries, have complained about the quality of womens’ skiing, and that there’s not enough high quality competition. That’s why I was interested in if classification was impacting women’s skiing because there is so few women skiers, that classes seem they’d make it harder to find competitors in classes that are making the sport equitable and fair. ^{((es))Spanish language: ?Algunos de los esquiadores de otros países con los que he hablado se quejaban de la calidad del esquí femenino, y la escasa calidad de la competición. Por eso me interesaba saber si la clasificación incidía en el esquí femenino al haber tan pocas esquiadoras, que las clases parece que hacen más dificil encontrar competidoras en clases que hacen el deporte más equitativo y justo.}

Irene Villa: Of course. In the case of the women, it is really hard to get a woman skiing, to have her compete in sit-ski. In fact, in Spain we exist thanks to Fundación También, which insisted in there being a female category. There was no female category, no women who dared. And we’re the same who started out in 2007. There has been no new blood because women don’t dare, because it is a tough sport, that requires sponsors —that do not exist—, or your own money, and it also demands courage and withstanding bad moments. I’ve suffered cold and injuries, and had some really tough times. You take away the best with you, but it is very hard, and men resist the cold better. ^{((es))Spanish language: ?Claro. Es que en las mujeres cuesta muchísimo que una mujer se ponga a esquiar, a competir en silla. De hecho en España estamos gracias a la Fundación También, que es la que se empeñó en que hubiese categoría femenina. No existía la categoría femenina, no había mujeres que se atrevieran. Y de hecho somos las mismas que empezamos en el 2007. No se ha renovado porque no se atreven, es un deporte duro, que además requiere sponsors, que no hay, o dinero de tu bolsillo, y además requiere valentía y malos ratos. Yo he pasado mucho frío y muchas caidas, y lo he pasado muy mal. La verdad es que te quedas siempre con lo bueno, pero es muy duro, y es cierto que los hombres son más fuertes para el frío.}

((WN)) : Your personal experiences have adequately prepared you to hurl yourself down the mountain at high speed? ^{((es))Spanish language: ?¿Sus experiencias personales le han preparado adecuadamente para lanzarse pendiente abajo a máxima velocidad?}

Irene Villa: At the beginning, it was very scary. The first times were very hard: falls, injuries… I even dislocated my vertebra and got a prothesis for the neck because of a hernia, one teammate broke her clavicle, another her femur… It has a lot of risks, but the truth is, speed hooks you! Once you learn to plant the ski pole, angle yourself, learn the position you must use, which is like a motorcycle rider’s, once you see you can run a lot and not fall, speed is addictive and you want to go faster. ^{((es))Spanish language: ?Al principio, mucho miedo. Los comienzos fueron muy duros: caidas, lesiones… A mi incluso se me salió el disco del cuello, me tuvieron que poner una prótesis en el cuello por una hernia que tenía, otra se rompió la clavícula, otra el femur, en fin… Tiene mucho riesgo, pero la verdad que la velocidad engancha. Una vez que aprendes a clavar el canto, a angular, la posición en la que tienes que ir, que es como la de un motorista, una vez que ves que puedes correr mucho y no te caes, sí que engancha la velocidad y quieres ir cada vez más rápido.}

((WN)) : Most of the ski team looks like they come from the Madrid area? From the Fundación También? ^{((es))Spanish language: ?¿La mayor parte del equipo parece que vienen de Madrid? ¿De la Fundación También?}

Irene Villa: In my team we are from everywhere in Spain. Even Nathalie Carpanedo is from France. ^{((es))Spanish language: ?En el equipo somos de todas partes de España. Incluso Nathalie [Carpanedo] es de Francia.}

((WN)) : How does a Frenchwoman become a Spanish skier? ^{((es))Spanish language: ?¿Cómo se convierte una francesa en una esquiadora española?}

Irene Villa: Because she lives in Madrid. She has the Spanish nationality. Then we have another woman from the South of Spain, in Andalusia, from Tarragona in Catalonia, from Galicia… We are from all parts of Spain. ^{((es))Spanish language: ?Porque vive en Madrid. Tiene la nacionalidad española. También tenemos a una mujer del sur de España, de Andalucía, otra de Tarragona en Cataluña, de Galicia… Las chicas venimos de todas las partes de España.}

((WN)) : So there’s a national ski culture. People think of Spain as a place with beaches and no snow. ^{((es))Spanish language: ?Así pues hay una cultura de esquí a nivel nacional. La gente piensa de España como un lugar con playas y nada de nieve.}

Irene Villa: There’s not too much tradition of paralympic skiing, to be true. There’s less. But we do have Sierra Nevada and the Pyrenees. ^{((es))Spanish language: ?Del esquí adaptado no hay tanta cultura, eso es cierto. Hay menos. Pero bueno, tenemos Sierra Nevada y tenemos el Pirineo catalán, aragonés…}

((WN)) : The Paralympics in Spain are supported by the Plan ADO Paralímpico. Do they provide enough support to women and to winter sports in general? ^{((es))Spanish language: ?Los deportistas paralímpicos reciben apoyo gracias al Plan ADO Paralímpico. ¿Proporcionan suficiente apoyo para las mujeres y los deportes de invierno en general?}

Irene Villa: The people in the national squad, like Úrsula Pueyo, would know that. If Plan ADO helps someone, it’s the people in the national team, those who dedicate their lives to the sport. They offered it to me when I was at my peak, in 2010, when I won my first gold medals and wasn’t yet married. They offered me to move to Baqueira, where Úrsula lives, with Nathalie, and with a Catalan girl too, but I declined, because when you have a life, a daily job, events, conferences, travels…. you can’t leave it all for the sport. But I think the Plan does help the people who dedicate themselves to the sport, like Úrsula. ^{((es))Spanish language: ?Eso lo saben los que están en el equipo nacional, como Úrsula Pueyo. Si el Plan ADO ayuda a alguien es a quienes están en el equipo nacional, a quienes dejan su vida por el deporte. A mi por ejemplo me lo plantearon cuando yo estaba en mi mejor momento, que fue en el 2010, que gané mis primeros oros y no estaba casada. Me plantearon irme a vivir a Baqueira donde vive Úrsula, con Nathalie, y con otra chica catalana, pero dije que no porque cuando tienes una vida, un trabajo diario, eventos, congresos, viajes… no podía dejarlo todo por el deporte. Pero creo que a la gente que sí que se dedica a ello sí le ayuda. Como a Úrsula.}

((WN)) : When I’ve read about disability skiing in Spain for women, they talk about you and they talk about Teresa Silva. Is there a way to get more attention for women skiers on that level, outside of using you and Teresa Silva as a vehicle? Not that you are not great for drawing attention! But how do you draw more attention to women’s sports and high quality that women are capable of doing? ^{((es))Spanish language: ?Cuando he leído sobre el esquí adaptado en España, suelen hablar de usted y Teresa Silva. ¿Existe alguna forma de atraer más atención a las esquiadoras, más allá de usarlas a ustedes como reclamo? ¡No es que no sean fantásticas para atraer atención! ¿Pero cómo se incrementa la atención al deporte femenino y a la alta calidad que las mujeres son capaces de lograr?}

Irene Villa: Oh, I would like that more people would join this sport or any other disability sport, that they practised it. And what we do is try to encourage them through the media, interviews, conferences… Teresa is the director of Fundación También, and she has access to talk with many people. As a speaker in motivation conferences and the like, I make people aware of it too. But it is difficult, because people try it out and love it, but will not race. Because racing is very risky and, well, you saw the slopes yesterday, sometimes they are hard, like a wall, and falling can be awful. But when we get the chance, we promote the sport and try to attract people that way, encouraging them to join this adventure that is sport. ^{((es))Spanish language: ?Eso es lo que a mi me encantaría, que cada vez más gente se apuntase a este deporte o a cualquier deporte, que hiciese deporte con discapacidad. Y nosotros lo que hacemos es intentar a través de los medios de comunicación, a través de entrevistas, a través de congresos… Teresa es la directora de la Fundación, y tiene acceso a hablar a mucha gente. Yo como ponente de conferencias, de motivación y tal, también lo doy a conocer. Pero es dificil, como digo, porque la gente lo prueba y le encanta, pero dicen que no a la carrera. Porque la carrera tiene muchos riesgos y porque, bueno ya visteis la pista ayer, que es complicada, a veces es muy dura, es un marmol, y las caidas son muy jorobadas. Pero sí que en cuanto podemos y tenemos la oportunidad, lo damos a conocer e intentamos atraer a la gente de esa forma, animándola a que se unan a esta aventura del deporte.}

((WN)) : As an outsider from, not Spain, I know you are a political figure. Has that gotten in the way of your ability to be a sportswoman? ^{((es))Spanish language: ?Como alguien que no es de España, entiendo que usted es una figura política. ¿Ha sido eso un obstáculo a la hora de ser una deportista?}

Irene Villa: No… Besides, that part about me being a political figure… I have nothing to do with politics. I don’t know why people always… Why? Because of what happened to me. I was a kid. A 12 year old has nothing to do with politics. We know too that ETA has attacked people who had nothing to do with politics as well. My mother was a police director. What may have interfered is the fact that since I was a known figure I’ve tried that other people…. Let’s see, for example I started doing sport so other people would know you could do sport. So it is true that the fact of being known has pushed me to do more things that I would’ve probably not have done. Because I wanted to show people that you could ski. And I ended up hooked. I only did it for a tv reportage. “Okay okay, a reportage and let’s have people know that yes, we can”. In fact, my book is titled “Knowing that you can” [Saber que se puede, in Spanish]. Later I got hooked. But the fact of being known motivates you to show other people a path that could be very beneficial to them, and at the end you get addicted to it. ^{((es))Spanish language: ?No… Es que además, lo de política me suena a que… yo no tengo nada que ver con la política. No sé por qué la gente siempre… ¿Por qué? Porque me pasó lo que me pasó. Era una niña. Una persona que tiene 12 años no puede tener nada que ver con la política. ETA ya sabemos que ha atentado contra gente que no tenía que ver con la política. Mi madre era funcionaria de policía. El caso es que lo que quizás ha podido interferir es que el hecho de ser una persona conocida he tratado de intentar que otras personas… A ver, yo empecé por ejemplo a hacer deporte para que otras personas supieran que se podía hacer deporte. Así que sí que es verdad que el hecho de ser conocida me ha impulsado a hacer más cosas de las que hubiese hecho seguramente. Porque yo quería mostrar a la gente que se podía esquiar. Y acabé enganchándome yo. Lo hice simplemente por un reportaje. “Venga venga, un reportaje y que la gente sepa que se puede”. De hecho mi libro se llama Saber que se puede. Luego me enganché. Pero el hecho de ser relevante o conocida te impulsa a mostrar a otras personas un camino que puede ser muy beneficioso para ellos, y al final acabas tú enganchada.}

((WN)) : When all is said and done, what do you kind of want your legacy to be? Do you want to be known as Irene Villa, disability sport advocate figure? Do you want to be known like Jon Santacana, or do you want to be known as somebody who has pushed the boundaries in other areas? ^{((es))Spanish language: ?Al final del día, ¿qué clase de herencia desea dejar? ¿Ser conocida como Irene Villa, deportista y defensora del deporte discapacitado? ¿Ser conocida como Jon Santacana, o como alguien que ha forzado los límites en otras áreas?}

Irene Villa: As something more. I’d like my testimony to go beyond sport, which is what I try to do around the world, besides telling people you can do it. It’s about the capacity of a person to make herself, to be happy, to overcome resentment, to love herself, and to love others. I think that is the most important thing. And that’s the basis. I think sport is something that completes your life, mentally and physically. It’s very important. But my message is forgiveness, happiness and hope. ^{((es))Spanish language: ?Algo más. A mi me gustaría, que es lo que hago por todo el mundo, aparte de decir a la gente que se puede, que mi testimonio vaya más allá del deporte. Es la capacidad de una persona de hacerse a sí misma, de ser feliz, de superar el rencor, de amarse, y de amar a los demás. Yo creo que eso es lo más importante. Y esa es la base. Creo que el deporte es algo que completa tu vida, te complementa mentalmente, físicamente. Es muy importante. Pero mi mensaje es perdón, alegría y esperanza.}

((WN)) : Thank you very much! ^{((es))Spanish language: ?¡Muchísimas gracias!}

Sunday, October 7, 2007

There are two things one can expect on a trip to see Michael Musto at the offices of the Village Voice: a 20-minute round-trip wait for the elevator and rapid fire answers from one of the most recognizable gossip columnists in the United States. Musto, in addition to his appearances on Countdown with Keith Olbermann and the E! network, has been writing his column for the Voice since 1984. He has recently compiled the best of them in a book released this year titled, La Dolce Musto: Writings by the World’s Most Outrageous Columnist. He was Carrie Bradshaw, replete with a prodigious use of puns, before Sex in the City was a thought. His column is a romp through his life, spats and opinions on socio-political issues. As David Thigpen of the Chicago Tribune wrote, Musto is “a funny and caustic satirist who masquerades as a gossip and nightlife columnist.”

Musto, a Columbia University graduate, is a rarity in today’s celebrity world: he is accessible. He often corresponds with his readers and his public functions are a mix of parties, nightclubs, academic lectures, university panels and film premieres.

He is friendly and frank, and he welcomes people to join him in his world (“I just got a message that Michael Lucas died!” he says staring wide-eyed at his phone; the message turned out to be false). Wikinews reporter David Shankbone spoke with Musto about his life and his relationship to the world of celebrity journalism. And he did not hold back.

Friday, August 14, 2009

According to official records, Hong Kong’s economy has left a year-long recession, recording a growth of 3.3% in the second quarter ended in June. The figures, which were seasonally adjusted, were higher than forecast by economists.

As a result, the government has increased its growth predictions for 2009. Previous estimates suggested the economy would contract by 5.5% to 6.5%. Now, the contraction is only predicted to be between 3.5% and 4.5%.

“The GDP data was much better than we expected, partly because the exports were better and partly because of a pick-up in private consumption,” Bank of East Asia’s chief economist, Paul Tang, noted. “Private consumption is being driven up by stock market gains and by the property sector, which started doing well.”

However, government economist Helen Chan warned that “while we are seeing some light at the end of the tunnel, […] the outlook remain highly uncertain because the situations in the United States and Europe are still very weak.”

Saturday, October 22, 2016

Mohammed Rashid Saeed-Alim, a failed English suicide bomber better known by his birth name Nicky Reilly, has died while serving a life sentence. He was 30.

Originally from Plymouth, Alim attempted to bomb the Giraffe restaurant in Exeter in 2008 when he was 22. He used glass bottles filled with nails, caustic soda, and paraffin but one went off prematurely as he prepared them in the restaurant’s bathroom.

Alim was hospitalised with facial wounds that required skin grafts, then prosecuted for the bombing. He admitted attempted murder and preparing an act of terrorism later that year and was sentenced to life with a minimum term of eighteen years. He had considered alternative targets including a police station.

Alim had a mental age of around ten. He also had Asperger’s syndrome and his mother said he had been manipulated by others. Police said at the time he discussed his plans online and they suspected Pakistani individuals to be responsible for his radicalisation following conversion to Islam. Alim himself left a note in his bedroom saying amongst other things he had not been manipulated. His mother pursued a complaint against police in 2010 over claims he had told people of his plans to perform a bombing but police allegedly ignored this.

His body was found on Wednesday at HMP Manchester. Greater Manchester Police said there were “no suspicious circumstances” while the Prison Service simply noted the Prisons and Probation Ombudsman will carry out a routine investigation. The Plymouth Herald reported unconfirmed claims Alim was found hanged.

Alim served most of his sentence at Broadmoor high-security psychiatric hospital. This July he was sentenced for an attack on Broadmoor nurses with an accomplice. The pair used mugs and snapped DVDs as weapons after a change to rules on group Muslim prayers. One of the victims was Muslim.

Last year Kazi Islam, 19, was sentenced to eight years after being convicted of trying to pressure an autistic man into building a pipe bomb. Islam said he was inspired by Alim’s case.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.