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Tuesday, September 28, 2010

A man wearing a ski mask and carrying an assault rifle apparently killed himself in the library of the University of Texas in Austin, Texas earlier today.

The university was placed under lockdown and all classes were canceled as a result of the incident. Nobody else was hurt, but police are still looking for a possible second gunman. Art Acevedo, the chief of Austin police, said that officials are also considering the possibility of explosives left by the suspect. Armored vehicles were seen moving around the campus in response to the event, as well as {{w|SWAT team|SWAT teams}, bomb-sniffing dogs, and police helicopters. An ambulance was seen around 9:00 a.m. CDT (1400 UTC) at the University of Texas’ Perry-Castaneda library.

The school’s website included a notice this morning, which read: “The person involved in this morning’s shooting on campus has been confirmed dead on the sixth floor of the Perry-Castaneda Library from an apparent self-inflicted gunshot wound. Law enforcement are searching for a second suspect. If you are off campus, STAY AWAY. If you are on campus, lock doors, do not leave your building.” The gunman was reportedly killed by a self-inflicted gunshot wound, and no shots had been fired by law enforcement officials.

The shooter has not yet been identified, and the reason behind the incident is not yet known. Witnesses described the man as wearing a dark suit and ski mask, and carrying an assault rifle. Randall Wilhite, a professor at the university, said that he heard gunshots while going to class and saw the suspect heading toward the library just after 8:00 a.m. CDT (1300 UTC). The gunman appeared to be firing shots randomly. “When I pulled up in my car, he stood right in front of me and didn’t stop running but turned in my direction, fired three shots into the ground to the left of my car and kept running,” said Wilhite. The gunman had the chance to shoot students, added Wilhite, but he did not appear to be targeting them.

The school, which has around 50,000 students, sent out an alert around that time warning students to stay where they were. Robby Reeb, a senior at the school, said that “a guy sprinted past me screaming, ‘There’s a guy with a gun.’ I looked up and saw a man in a ski mask, wearing a suit, and carrying an assault rifle. And I called 911.”

Police said that the gun used in the shooting was an AK-47, and that they were examining two different crime scenes: where the shots were fired outside, and where the gunman was found dead in the library. Police would not say whether he was attending the university. Chief Acevado said that there were “reports of a second suspect that was wearing a beanie with a long rifle, wearing blue jeans and a black top” that “may or may not be a white male.”

Several hours after the lockdown began, police allowed students to leave the university’s campus, although nobody is still allowed to enter.

The school was also the site of a shooting spree on August 1, 1966, in which university student Charles Whitman fatally shot fourteen to sixteen people and wounded another 32 before being himself killed by law enforcement authorities; reports of the exact death toll are inconsistent. Whitman, a former U.S. Marine, shot students from the observation platform of the school’s tower. That event was the deadliest school shooting in the United States until the 2007 Virginia Tech massacre.

Monday, September 20, 2010

A woman who was recorded throwing a cat into an outdoor rubbish bin has been charged with two counts of animal cruelty. 45-year-old Mary Bale, from Coventry, West Midlands, England, United Kingdom, was recorded on a security camera allegedly giving the tabby cat — Lola, aged four — a stroking and looking at her surroundings before taking the animal and dumping it into the wheelie bin before walking away from the scene.

The cat was discovered in the bin fifteen hours later by her owners, 24-year-old Stephanie Andrews-Mann and her husband, 26-year-old Darryl. She appeared to be unharmed. The Royal Society for the Prevention of Cruelty to Animals — otherwise known by the abbreviation RSPCA — have now brought charges against Mary Bale under the Animal Welfare Act 2006. Judith Haw, a spokesperson for the RSPCA, has stated: “The RSPCA has taken the case to court as two alleged offences have been committed: of causing unnecessary suffering to a cat and of not providing the animal with a suitable environment. As criminal proceedings are now active the RSPCA will not be issuing any further statements or completing interview requests until conclusion of the court case.”

Having received a court summons from the RSPCA on Sunday, Bale is anticipated to make an appearance at Coventry Magistrates Court on October 19, 2010 at 1000 BST (0900 UTC). Bale had previously released a public apology. “I cannot explain why I did this,” it read. “It is completely out of character and I certainly did not intend to cause any distress to Lola or her owners.”

In a video available on Sky News Online Stephanie Andrews-Mann spoke about this incident and explained that “we thought it was probably someone coming from a night in the pub that thought it’d be hilarious to put a cat in the bin. We didn’t expect to find what it was we found.” When asked what she thought about the woman who committed this act, Stephanie commented: “I don’t know. I don’t know what could possibly go through her head to want to put a cat in a bin.” Stephanie’s husband Darryl explained: “It was basically after we’d found Lola in the bin that we played back the video footage and seen, obviously, what had gone on, what had happened.” Describing this act, he expressed: “I think it’s disgusting. I don’t know how anyone could treat, um, a harmless animal that can’t defend itself, just do something like that to it.”

Friday, March 28, 2008

Producers of the film Superhero Movie, out today, released clips from the film on the Internet parodying a Church of Scientology promotional video featuring Scientologist Tom Cruise.

Superhero Movie is written and directed by Scott Mazin, director of the 2000 comedy about superheroes The Specials. The film stars Drake Bell, Sara Paxton, Christopher McDonald, Pamela Anderson, Tracy Morgan, Regina Hall, Craig Bierko, Simon Rex, Leslie Nielsen, Marion Ross, Kevin Hart, Jeffrey Tambor, Ryan Hansen, Brent Spiner and Keith David.

Drake Bell plays Rick Riker, a young man figuring out how to use his superpowers. The film parodies blockbuster superhero movies including Spider-Man, Batman, X-Men, and Fantastic Four.

In the original Scientology video, Cruise discusses his faith and his opinion on what it means to be a Scientologist, while the theme music from his Mission: Impossible series of films plays in the background. The video, which was not intended for public distribution outside of the Church of Scientology, is nine minutes long and contains heavy use of Scientology terminology. The video appeared on YouTube January 15, two days before the release of a biography on Cruise by Andrew Morton: Tom Cruise: An Unauthorized Biography.

The Church of Scientology sent legal letters to YouTube and to Gawker.com, sites which were hosting the Cruise video at the time, and requested that they take it down. YouTube complied, but Gawker.com did not, and Nick Denton of Gawker.com commented: “It’s newsworthy, and we will not be removing it.” The video later appeared on websites other than Gawker.com, including the New York Post, Independent Television News and the BBC.

Attempts by the Church of Scientology to remove the video from the Internet motivated an Internet-based group known as “Anonymous” to take action in a movement called Project Chanology. Members of Anonymous bombarded Scientology websites and were successful in taking some of them down, including Scientology.org. Anonymous later changed tactics towards legal measures, and held international protests against Scientology on February 10 and March 15, with another international protest planned for April 12.

According to Scientology critic David S. Touretzky, the Scientology terms used in the video by Cruise have “entered the national lexicon”, and the Scientology video itself has become something of an Internet phenomenon. Touretzky also referred to the negative effect on Cruise’s publicity as a consequence of the leak.

In the excerpt released online from Superhero Movie, actor Miles Fisher imitates Cruise in what Liz Shannon Miller of NewTeeVee described as “an eerily dead-on impersonation of Cruise’s infamous leaked Scientology indoctrination video”. She also compared the clip to a different spoof of the Cruise video, by actor Jerry O’Connell. Craig Ferguson also spoofed the video in a clip on his show on CBS, The Late Late Show, as did the comedy website Super Deluxe.

Christopher McDonald plays the villain “Hourglass” in Superhero Movie, and told MTV News he was surprised at some of the parodies that successfully appear in the film: “The thing I didn’t think we’d get away with was the actual Tom Cruise stuff. There may be lawsuits there.”

A post at Slashfilm wrote positively of Fisher’s performance: “Slashfilm would like to salute young actor and Harvard alum Miles Fisher for easily giving the best impression of Tom Cruise we’ve ever seen in the yuk-yuk comic book spoof.” A post at MoviesOnline commented: “The actor hits every point he needs to and it is almost scary how close he is to the actual Tom Cruise way of thinking.” Thomas Leupp of ReelzChannel.com called the scene “a dead-on spoof of Tom Cruise’s now-infamous Scientology video”. Ryan Parsons of CanMag wrote that Fisher impersonates Cruise “perfectly”, and Ryan Tate of Gawker.com called the clip “the slickest crazy-Cruise imitation yet, as well as one of the funniest”.

Friday, September 28, 2007

Bat for Lashes is the doppelgänger band ego of one of the leading millennial lights in British music, Natasha Khan. Caroline Weeks, Abi Fry and Lizzy Carey comprise the aurora borealis that backs this haunting, shimmering zither and glockenspiel peacock, and the only complaint coming from the audience at the Bowery Ballroom last Tuesday was that they could not camp out all night underneath these celestial bodies.

We live in the age of the lazy tendency to categorize the work of one artist against another, and Khan has had endless exultations as the next Björk and Kate Bush; Sixousie Sioux, Stevie Nicks, Sinead O’Connor, the list goes on until it is almost meaningless as comparison does little justice to the sound and vision of the band. “I think Bat For Lashes are beyond a trend or fashion band,” said Jefferson Hack, publisher of Dazed & Confused magazine. “[Khan] has an ancient power…she is in part shamanic.” She describes her aesthetic as “powerful women with a cosmic edge” as seen in Jane Birkin, Nico and Cleopatra. And these women are being heard. “I love the harpsichord and the sexual ghost voices and bowed saws,” said Radiohead‘s Thom Yorke of the track Horse and I. “This song seems to come from the world of Grimm’s fairytales.”

Bat’s debut album, Fur And Gold, was nominated for the 2007 Mercury Prize, and they were seen as the dark horse favorite until it was announced Klaxons had won. Even Ladbrokes, the largest gambling company in the United Kingdom, had put their money on Bat for Lashes. “It was a surprise that Klaxons won,” said Khan, “but I think everyone up for the award is brilliant and would have deserved to win.”

Natasha recently spoke with David Shankbone about art, transvestism and drug use in the music business.

DS: Do you have any favorite books?

NK: [Laughs] I’m not the best about finishing books. What I usually do is I will get into a book for a period of time, and then I will dip into it and get the inspiration and transformation in my mind that I need, and then put it away and come back to it. But I have a select rotation of cool books, like Women Who Run With the Wolves by Clarissa Pinkola Estés and Little Birds by Anaïs Nin. Recently, Catching the Big Fish by David Lynch.

DS: Lynch just came out with a movie last year called Inland Empire. I interviewed John Vanderslice last night at the Bowery Ballroom and he raved about it!

NK: I haven’t seen it yet!

DS: Do you notice a difference between playing in front of British and American audiences?

NK: The U.S. audiences are much more full of expression and noises and jubilation. They are like, “Welcome to New York, Baby!” “You’re Awesome!” and stuff like that. Whereas in England they tend to be a lot more reserved. Well, the English are, but it is such a diverse culture you will get the Spanish and Italian gay guys at the front who are going crazy. I definitely think in America they are much more open and there is more excitement, which is really cool.

DS: How many instruments do you play and, please, include the glockenspiel in that number.

NK: [Laughs] I think the number is limitless, hopefully. I try my hand at anything I can contribute; I only just picked up the bass, really—

DS: –I have a great photo of you playing the bass.

NK: I don’t think I’m very good…

DS: You look cool with it!

NK: [Laughs] Fine. The glockenspiel…piano, mainly, and also the harp. Guitar, I like playing percussion and drumming. I usually speak with all my drummers so that I write my songs with them in mind, and we’ll have bass sounds, choir sounds, and then you can multi-task with all these orchestral sounds. Through the magic medium of technology I can play all kinds of sounds, double bass and stuff.

DS: Do you design your own clothes?

NK: All four of us girls love vintage shopping and charity shops. We don’t have a stylist who tells us what to wear, it’s all very much our own natural styles coming through. And for me, personally, I like to wear jewelery. On the night of the New York show that top I was wearing was made especially for me as a gift by these New York designers called Pepper + Pistol. And there’s also my boyfriend, who is an amazing musician—

DS: —that’s Will Lemon from Moon and Moon, right? There is such good buzz about them here in New York.

NK: Yes! They have an album coming out in February and it will fucking blow your mind! I think you would love it, it’s an incredible masterpiece. It’s really exciting, I’m hoping we can do a crazy double unfolding caravan show, the Bat for Lashes album and the new Moon and Moon album: that would be really theatrical and amazing! Will prints a lot of my T-shirts because he does amazing tapestries and silkscreen printing on clothes. When we play there’s a velvety kind of tapestry on the keyboard table that he made. So I wear a lot of his things, thrift store stuff, old bits of jewelry and antique pieces.

DS: You are often compared to Björk and Kate Bush; do those constant comparisons tend to bother you as an artist who is trying to define herself on her own terms?

NK: No, I mean, I guess that in the past it bothered me, but now I just feel really confident and sure that as time goes on my musical style and my writing is taking a pace of its own, and I think in time the music will speak for itself and people will see that I’m obviously doing something different. Those women are fantastic, strong, risk-taking artists—

DS: —as are you—

NK: —thank you, and that’s a great tradition to be part of, and when I look at artists like Björk and Kate Bush, I think of them as being like older sisters that have come before; they are kind of like an amazing support network that comes with me.

DS: I’d imagine it’s preferable to be considered the next Björk or Kate Bush instead of the next Britney.

NK: [Laughs] Totally! Exactly! I mean, could you imagine—oh, no I’m not going to try to offend anyone now! [Laughs] Let’s leave it there.

DS: Does music feed your artwork, or does you artwork feed your music more? Or is the relationship completely symbiotic?

NK: I think it’s pretty back-and-forth. I think when I have blocks in either of those area, I tend to emphasize the other. If I’m finding it really difficult to write something I know that I need to go investigate it in a more visual way, and I’ll start to gather images and take photographs and make notes and make collages and start looking to photographers and filmmakers to give me a more grounded sense of the place that I’m writing about, whether it’s in my imagination or in the characters. Whenever I’m writing music it’s a very visual place in my mind. It has a location full of characters and colors and landscapes, so those two things really compliment each other, and they help the other one to blossom and support the other. They are like brother and sister.

DS: When you are composing music, do you see notes and words as colors and images in your mind, and then you put those down on paper?

NK: Yes. When I’m writing songs, especially lately because I think the next album has a fairly strong concept behind it and I’m writing the songs, really imagining them, so I’m very immersed into the concept of the album and the story that is there through the album. It’s the same as when I’m playing live, I will imagine I see a forest of pine trees and sky all around me and the audience, and it really helps me. Or I’ll just imagine midnight blue and emerald green, those kind of Eighties colors, and they help me.

DS: Is it always pine trees that you see?

NK: Yes, pine trees and sky, I guess.

DS: What things in nature inspire you?

NK: I feel drained thematically if I’m in the city too long. I think that when I’m in nature—for example, I went to Big Sur last year on a road trip and just looking up and seeing dark shadows of trees and starry skies really gets me and makes me feel happy. I would sit right by the sea, and any time I have been a bit stuck I will go for a long walk along the ocean and it’s just really good to see vast horizons, I think, and epic, huge, all-encompassing visions of nature really humble you and give you a good sense of perspective and the fact that you are just a small particle of energy that is vibrating along with everything else. That really helps.

DS: Are there man-made things that inspire you?

NK: Things that are more cultural, like open air cinemas, old Peruvian flats and the Chelsea Hotel. Funny old drag queen karaoke bars…

DS: I photographed some of the famous drag queens here in New York. They are just such great creatures to photograph; they will do just about anything for the camera. I photographed a famous drag queen named Miss Understood who is the emcee at a drag queen restaurant here named Lucky Cheng’s. We were out in front of Lucky Cheng’s taking photographs and a bus was coming down First Avenue, and I said, “Go out and stop that bus!” and she did! It’s an amazing shot.

NK: Oh. My. God.

DS: If you go on her Wikipedia article it’s there.

NK: That’s so cool. I’m really getting into that whole psychedelic sixties and seventies Paris Is Burning and Jack Smith and the Destruction of Atlantis. Things like The Cockettes. There seems to be a bit of a revolution coming through that kind of psychedelic drag queen theater.

DS: There are just so few areas left where there is natural edge and art that is not contrived. It’s taking a contrived thing like changing your gender, but in the backdrop of how that is still so socially unacceptable.

NK: Yeah, the theatrics and creativity that go into that really get me. I’m thinking about The Fisher King…do you know that drag queen in The Fisher King? There’s this really bad and amazing drag queen guy in it who is so vulnerable and sensitive. He sings these amazing songs but he has this really terrible drug problem, I think, or maybe it’s a drink problem. It’s so bordering on the line between fabulous and those people you see who are so in love with the idea of beauty and elevation and the glitz and the glamor of love and beauty, but then there’s this really dark, tragic side. It’s presented together in this confusing and bewildering way, and it always just gets to me. I find it really intriguing.

DS: How are you received in the Pakistani community?

NK: [Laughs] I have absolutely no idea! You should probably ask another question, because I have no idea. I don’t have contact with that side of my family anymore.

DS: When you see artists like Pete Doherty or Amy Winehouse out on these suicidal binges of drug use, what do you think as a musician? What do you get from what you see them go through in their personal lives and with their music?

NK: It’s difficult. The drugs thing was never important to me, it was the music and expression and the way he delivered his music, and I think there’s a strange kind of romantic delusion in the media, and the music media especially, where they are obsessed with people who have terrible drug problems. I think that’s always been the way, though, since Billie Holiday. The thing that I’m questioning now is that it seems now the celebrity angle means that the lifestyle takes over from the actual music. In the past people who had musical genius, unfortunately their personal lives came into play, but maybe that added a level of romance, which I think is pretty uncool, but, whatever. I think that as long as the lifestyle doesn’t precede the talent and the music, that’s okay, but it always feels uncomfortable for me when people’s music goes really far and if you took away the hysteria and propaganda of it, would the music still stand up? That’s my question. Just for me, I’m just glad I don’t do heavy drugs and I don’t have that kind of problem, thank God. I feel that’s a responsibility you have, to present that there’s a power in integrity and strength and in the lifestyle that comes from self-love and assuredness and positivity. I think there’s a real big place for that, but it doesn’t really get as much of that “Rock n’ Roll” play or whatever.

DS: Is it difficult to come to the United States to play considering all the wars we start?

NK: As an English person I feel equally as responsible for that kind of shit. I think it is a collective consciousness that allows violence and those kinds of things to continue, and I think that our governments should be ashamed of themselves. But at the same time, it’s a responsibility of all of our countries, no matter where you are in the world to promote a peaceful lifestyle and not to consciously allow these conflicts to continue. At the same time, I find it difficult to judge because I think that the world is full of shades of light and dark, from spectrums of pure light and pure darkness, and that’s the way human nature and nature itself has always been. It’s difficult, but it’s just a process, and it’s the big creature that’s the world; humankind is a big creature that is learning all the time. And we have to go through these processes of learning to see what is right.

Thursday, April 3, 2008

A reporter from Wikinews recently interviewed Jim Babka, chair of Libertarian organization Downsize DC. The organization claims to have arranged for 22,158 people to send a message regarding the “American Freedom Agenda Act” proposed by Ron Paul, in addition to supporting many other laws. The full text of the interview can be found below.

Sunday, December 30, 2018

Bre Payton, a 26 year old U.S. writer for the conservative online magazine The Federalist, and recurring pundit on the Fox News, Fox Business and One America News networks, died suddenly on Friday in San Diego, California, after contracting H1N1 flu and encephalitis. Colleagues reacted with surprise to the death and recalled Payton’s work ethic, Christian beliefs, and physical attractiveness. News of the death spread virally, becoming the sixth most trending topic in the United States on Google for the day.

According to an account on Caring Bridge, a day after she appeared on One America News on Wednesday, Payton was found unresponsive. She was hospitalized and admitted into the intensive care unit. After tests, doctors made the diagnoses. Her condition worsened until she died.

“We are devastated,” tweeted The Federalist publisher Ben Domenech, “Last we saw her, she was her funny, smart, vivacious self. Now lost to us so suddenly.”

In a piece published yesterday, Domenech reflected on Payton’s role as a young conservative woman and described her as “distractingly beautiful for the men of Washington D.C. […] smarter than all of them, [and] would outwork them and outresearch them and outreport them”.

Payton joined the The Federalist in April 2015 after graduating from Patrick Henry College. In addition to One America News, she appeared on the Fox shows Your World with Neil Cavuto, Trish Regan Primetime, Fox & Friends, and Fox News @ Night.

“I cannot believe this,” tweeted Fox News @ Night host Shannon Bream, “[Payton] was such a beautiful light, smart and funny and kind and talented[…] Please pray for her broken hearted loved ones, who are undoubtedly reeling. She was far too young.”

Payton is survived by four siblings and her parents who have started a scholarship fund in her name to benefit “young, rising, Christian leaders.”

Wednesday, October 21, 2009

A Scottish lawyer today denied reports that Lockerbie bomber Abdelbaset Ali Mohmed Al Megrahi had died, after it was reported on Sky News earlier today that “unidentified sources” had said that he was dead.

The reports came onto Sky News at around 16.00 BST today. The information could not be confirmed, and it was not immediately clear where Sky News had obtained their information. Megrahi is suffering from terminal prostate cancer. Scottish Cabinet Secretary for Justice Kenny MacAskill MSP decided on 20 August 2009 to grant Megrahi compassionate release from Greenock Prison in Glasgow, Scotland and to allow him to return to Libya, after medical advisers reported that he was likely to die in just three months.

On Wednesday, Megrahi’s lawyer, Tony Kelly, responded to the claims made, saying that “it’s absolutely untrue. He’s definitely not dead. I’m not saying anything about his health condition other than the fact he is alive and breathing.” He declined to release any information about Abdelbaset’s current health condition. Following these comments, Sky News removed the information from their website.

Sunday, March 22, 2009

After an early morning fire began, four out of the nine people living at the Riverview Individual Residential Alternative group home located in Wells, New York were killed by the blaze. The Sunmount Developmental Disabilities Services Office, which supervises the home, told the media that the fire started at approximately 5:30 AM Eastern Daylight Time. Two staff members were at the home at the time, who safely evacuated four of the five survivors.

The names of the residents killed in the fire were not able to be released due to New York’s Mental Hygiene Law, but are able to be identified as two adult men, aged 32 and 52, and two adult women, aged 43 and 60. A 71-year-old male was injured in the fire, and was taken to a hospital in Utica, a nearby city. The other four residents have been relocated to an unnamed group home. Both staff members are also being examined at the hospital.

“On behalf of all New Yorkers, I wish to extend my heartfelt condolences to the families, loved ones and friends of the four victims and to continue to pray for the full recovery of those five people and two staff members who survived this incident. I also want to express my thanks and appreciation for the first responders and volunteers who worked swiftly and diligently to respond to this tragedy,” David Patterson, the governor of New York, said to the media.

The exact cause of the fire has yet to be determined. However, the New York Civil Liberties Union stated that “the blaze appears to have been an electrical fire and the sprinkler system was knocked out immediately.” They also called for “an immediate investigation into the causes of and contributing factors of the fire.”

The New York State Department of State Office of Fire Prevention and Control is currently investigating the causes of the blaze, with help from New York State Police Bureau of Criminal Investigation and the New York State Commission on Quality of Care and Advocacy for Persons with Disabilities.

Thursday, November 16, 2006

Currently, there are blackouts, heavy rain, and high winds in British Columbia. Over 220,000 BC Hydro customers have no power. Buildings have already collapsed and trees have been knowed down. Five Vancouver rivers were in danger of flooding, which rain fell at 10 mm an hour for more than six hours at midday.

The steel frame of a four-storey building under construction in Vancouver collapsed. Construction workers escaped injury, luckily they were on a coffee break at the time of the incident. The steel frame crushed cars in a parking lot and missed a truck driver.

Citizens had to evacuate a subdivision of 30 homes. The winds smashed trees into houses in West Vancouver.

“We have some real fears here with electrical problems,” said Captain Rob Jones Cook of the Vancouver Fire Department. “This is impinging on electrical poles and lamp standards. We also have hydro bus lines running down two sides of the building.” The Vancouver Fire Department says they have no idea as to why the building collapsed.

Winds are gusting at more than 100 kilometres an hour (62 mph) in some areas and rainfall amounts of 50 to 130 millimetres.

According BC Hydro spokeswoman Elisha Moreno, the hardest-hit areas are Vancouver, Surrey, Langley, Abbotsford and Mission, B.C. “We’re trying to be optimistic and hoping it’s by end of day today, but there may very well be customers that are into the early-morning hours before restoration,” Moreno said.

Extensive ferry cancellations, road closures, and massive power outages are in effect until the storm ends.

The RCMP have advised people to stay home and off the highway.

The same heavy weather has also affected nearby Washington State, USA.

Friday, March 18, 2011

A power line to the Fukushima I Nuclear Power Plant in Japan was completed Thursday, which will allow cooling systems at one of the facility’s reactors.

The new line, roughly one kilometer (0.6 miles) in length, connects the power grid to the power plant’s second reactor. It was completed at about 1730 local time (0830 UTC) on Thursday, and will be energized once spraying of seawater over reactor three is complete.

According to a Tokyo Electric Power Company spokesperson, once the power line is energized “we will be able to activate various electric pumps and pour water into reactors and pools for spent nuclear fuel,” thus cooling temperatures within the reactor.

The International Atomic Energy Agency has said that the stricken power plant is currently stable, though there is still the chance of matters growing worse. An official at the agency said that “it’s reasonably stable at the moment compared to yesterday.”